Exhibitions


Mahmoud Obaidi: The Replacement

 

11 March-1 May 2014

Meem Gallery is pleased to present Mahmoud Obaidi’s first solo exhibition in the United Arab Emirates, The Replacement, which explores the subject of political propaganda through different modes of communication and imagery. The exhibition presents over thirty works that span a range of media including sculpture, silkscreen prints and video art.

In 2003, a storage container was discovered in an unknown location in the Middle East. Stored inside were numerous boxes that held the political campaign material (believed to date from 1979 to 1983) of a now unknown man. The contents caught the eye of an art collector based in North America, who purchased the collection in an agreement that prevented him from displaying the items publicly until 2014. Last year, through a mutual friend, the collector contacted Mahmoud Obaidi so they could collaborate on an exhibition project that would recreate many of the items uncovered in 2003. The Replacement is the result of this collaboration.

With his head held high, the seemingly indomitable figure of this political ‘leader’ is repeatedly reproduced by Obaidi in campaign posters, postage stamps, banknotes and press coverage. In one work, his head is presented in a roundel, reminiscent of the ancient Roman tradition, under which foliage and a bright sun shines over a modern city. Here, he takes on an almost god-like status, reigning over and protecting his people and nation. Through this imagery, Obaidi reflects on the way in which visual material can be used to manipulate the masses in an individual’s quest for power and authority. With regard to his artistic practice, Obaidi notes that ‘Information is bigger and more important than the object and the intellectual product is the whole process.’

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Charity Exhibition: Save the Children. Emergency Appeal. Children of Gaza.

 

 

27 January -6 February 2014  

Meem Gallery is pleased to present the Children of Gaza exhibition. In 2009 three international photographers with the support of Save the Children entered Gaza. For nearly two weeks the award winning photographers, Anthony Dawton, Jim McFarlane and Giuseppe Aquili photographed children and their families, victims of the Israeli incursion of 27 December 2008. The images are extraordinary. They tell of what happened and the damage done, physically and psychologically but they also tell of a people, particularly the children, bright, intelligent and full of hope. 

The exhibition is as dramatic in its presentation as the images themselves are. It comprises of twenty-one black and white photographic art works each 1.5 x 1 metres. Included in the exhibition are eighteen original pieces, inspired by the photographic images, from the renowned artist Dia Azzawi. His images provide a vivid and colourful contrast to the imposing monochrome images of Aquili, Dawton and McFarlane. The digital manipulations represent a new path in the work of his oeuvre.

The exhibition hopes to define the process in which art can bring understanding to seemingly intractable political conflict as well as to highlight the terrible consequences long and short term of such conflicts. Proceeds from the exhibition will go to Save the Children projects in Gaza, particularly its outstanding work with conflict traumatized children. The exhibition should be considered as an installation and the event itself a 'happening'.

www.childrenofgaza.org

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