Art Fairs


Dia Azzawi: Abu Dhabi Art

 

Abu Dhabi Art
Booth X2 - 01
8 - 11 November 2017

 

This year at Abu Dhabi Art, Meem Gallery will feature a solo presentation by Iraqi master, Dia Azzawi. Measuring 15 meters long, one large scale-work takes a panoramic view of the 2003 invasion of Iraq.
Based on images in the media, Azzawi reflects upon the tragedy faced by the Iraqi people in the aftermath
of the bombing campaign and the subsequent collapse of the systems on which their daily lives once relied.

From the destruction of infrastructure and the looting of cultural institutions like the Archaeological Museum, Modern art collection and National Archive, to the savage treatment and abuse of prisoners in Abu Ghraib, Azzawi depicts the physical and psychological fragmentation of human beings undergoing such trauma.

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Dia Azzawi: Art Dubai Contemporary

 

This year at Art Dubai, Meem Gallery will feature a solo presentation of Iraqi master Dia Azzawi’s recent work. Following on from his acclaimed retrospective exhibition at Mathaf Museum of Art & Al Riwaq Gallery, Doha, Qatar, the booth will show a selection of artworks in varying sizes and media.

The monumental Jenin Jenin takes centre stage, a large-scale tapestry comprised of three panels, each containing a twisted, androgynous human form. Based on a work on canvas, it was created in response to a massacre that took place in the Jenin refugee camp in the West Bank in 2002. The work pays tribute to the many martyrs of the slaughter, referencing the distinctly Palestinian Keffiyeh, olive branches and doves, symbols of hope amidst a tragic scene. The complex technique uses yarn to create intricate layers of monochrome tones that lend a cold, deathly atmosphere to the work. Azzawi has often referenced the plight of the Palestinian people in his work, a subject that was given an entire room at his retrospective in Qatar.

Adding to the theme of national identity and cultural reference, the painting, Villager’s Dress, inspired by the intricate embroidered garments native to Palestine hangs on the right hand side of the booth. A group of five works on paper titled Hanging Garden of Babylon are set to the left and refer to Iraq’s iconic, ancient wonder of the world. The compositions are executed in Chinese ink on handmade paper and made up of stylised organic forms that interlock and layer, one on top of another.

In contrast to the darker, more sombre works on view inside the booth, the two tapestries on the outer walls of the space burst with vibrant colour. Oriental Window and My Garden deal with familiar Middle Eastern domestic themes that are rendered in the abstract. Along with Jenin Jenin, they represent a relatively new foray into the use of textile in the artist’s work in collaboration with the renowned French Ateliers Pinton.

 

 

Film Screening

Thursday 16th March 8-9:30 pm
Madinat Jumeriah                                                  

In celebration of the late Abbas Kiarostami’s life and career as Iran’s most renowned director, a screening of 76 Minutes and 15 Seconds with Abbas Kiarostami directed by photographer, Seifollah Samadian, followed by the late filmmaker’s short film, Take Me Home will take place in the Global Art Forum tent on Fort Island. Composed from hundreds of hours of footage, 76 Minutes and 15 seconds with Abbas Kiarostami was filmed both in and outside of Iran during the pair’s enduring twenty-five year long friendship. Premiering at the 2016 Venice film, Kiarostami’s last short film, Take Me Home, is set in Southern Italy and playfully takes the viewer on a philosophical journey that follows a football as it rolls and bounces its way around the stairways and alleys of a small rural village. 

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